Model sound mirror for aerial wargaming

Kent-based science fiction and fantasy gaming supplier Brigade Models is producing some 1/1200 models inspired by the Denge sound mirrors.

They are designed for Aeronef, a form of wargaming based on “an alternate history in the late 19th Century when the aircraft has been invented several decades earlier than the Wright Brothers actually managed. The nations and empires of the world battle for supremacy of the skies in giant aerial ships known as Aeronefs, lighter-than-air dirigibles (‘Digs’) and small fighter and bomber aircraft.”

Brigade Models sound mirrors

Tony Francis of Brigade Models tells me that while the models are based on the Denge sound mirrors they are are not exact replicas; he worked from photos and satellite images to produce something that looked roughly right. “Although they are really First World War technology rather than late 19th century, we’ve appropriated them as being ideal for our Victorian science-fiction alternate history games”, he explains.

The 200 ft mirror comes out at about 50 mm long, while the two small ‘ears’ are about 10 mm. They are produced in pewter from masters which were created using a 3D modelling package and 3D printing.

For more details of availability and how to order, see the Brigade Models website.

Popular beat combos at the Denge sound mirrors

Rock Atlas book front cover

The Denge sound mirrors have proved to be a popular location for music videos and associated photo shoots, and are included in a new book called Rock Atlas, by David Roberts.

The author has got in touch to tell me that: The 304-page, full-colour guide book includes 689 fascinating British and Irish music locations and the stories behind them. Written and researched by former Guinness Book of British Hit Singles & Albums editor David Roberts, the book provides instructions on how to find each place of Rock and Pop pilgrimage, plus extensive lists of the birthplaces of every major musician.

The sound mirrors entry says:

The Dungeness coastal landscape is shaped by the strange architectural splendour of the sound mirrors that are featured as cover artwork on Turin Brakes’ Ether Song album and hit single ‘Long Distance’. Constructed as a Royal Air Force early warning system for incoming aircraft, the Denge mirrors are often referred to as ‘Listening Ears’ and have also featured in The Prodigy video for ‘Invaders Must Die’ and Blank & Jones‘ Monument album cover and video for ‘A Forest’.

LOCATION 147: between Lydd-on-Sea and Greatstone-on-Sea. Postcode: TN29 9NL. Access with guided walks. www.andrewgrantham.co.uk/soundmirrors

Seaham sound mirror memories

Checking some old links, I found the Seaham Scenes website is no more; it seems the webmaster Peter Dent died in a motorcycle accident in 2009.

Using the Internet Archive I have retrieved the text about the Seaham sound mirror, and put a copy here. It would be shame for the memories of the mirror to be lost, so I hope no-one minds.

Hello, I found your website while seeking further information about a "sound mirror" which is reported to have existed at Seaham. Do you know anything about, or know someone who does? I’m afraid I’ve never been to the area.

The sound mirror was one of a number built as a form of pre-Radar early warning system. It would have been built circa 1916, it still existed in 1947, and would have looked something like this: Sound Mirror -> that is, a big concrete thing, with a "dish" shape in a wall facing towards the coast. It would almost certainly have had a clear view towards the sea when it was built, but could have been up to a couple of miles or so in land.

The person who told me about it writes:

I left home (Seaham) in 1947 and have rarely been back. I do remember as a child, however, playing around an acoustic mirror (complete with metal rod for supporting the microphone) situated on the high ground (Kinley or Kilney Hill) to the south west of Dawdon, Seaham Harbour. Having looked at the photographs, I can report that it was similar to the Sunderland example in terms of shape and size. I have no idea what state it might be in now, or even if it still exists.

I’d love to know more – does anyone else remember it, can they pin-point where was it, and does it still exist? There are a number of these things, at Sunderland, Redcar, Boulby and quite possibly elsewhere. One at Hartlepool has been demolished . There are some pictures of others at /mirrors/

Thanks for any help you can give!

Andrew Grantham

Andrew, thanks for the interesting email. I know quite well the area you are talking about, Kinley Hill. There still exists an underground structure at the top of Kinley Hill, which was an early warning / lookout post. I believe it was manned by the Civil Defence. This was during the 2nd world war and after that during the cold war. This is the period when it was thought that nuclear war was a genuine possibility.

There is also another hill, maybe a mile from Kinley Hill, which is known as "False Hill". It was named such because I believe its exactly that, a false hill. That is a huge mound which is man made and houses more underground passages and rooms. It used to have small structures on it meant to look like dwellings but which house machinery and there was always a radio / radar mast there. Now its home to mobile phone masts etc.

However, I can’t remember ever seeing a sound mirror on either hill? I’ve been visiting both locations from when I was a kid, 30 + years ago now…. They were fascinating places for kids to explore, even if they were dangerous.

Maybe somebody else can shed some light on this ….. Email Me Please


[picture unfortunately not archived]

Just thought that you might be interested in a water-colour sketch that I did from memory of the ‘sound mirror’ that stood above Dalton-le-Dale. I also played around this structure as a kid and I understand my great uncle Wilf manned this Zeppelin Sounding device at some point in WW1.

I think that it was removed to make way for the B1287
Graham Way road.

The view is from the east looking towards George Weightman’s ‘West Farm,’ Waring Terrace, the garage on Stockton Road.

Kind regards

Les


Hi,

It was located above and to the north of Dalton le dale a little north east of the Overdene Estate but demolished. Put Sunderland Sound Mirror into Google for more.

Cheers for now

Raymond


Dear Webmaster,

Unless I am mistaken the sound mirror was situated behind the garage at the top of Deneside where the housing estate at the top of The Graham Way now stands. The area used to be used as pick nick area accessed from a path near the side of the garage. We used to play there and throw balls into the mirror, it was not until a TV program in the last year or so about coastal early warning systems that I found out what it was.

Hope this is of some help

Tom Westwick.


I’ve lived in Seaham all my life and can remember the mirror very well though didn’t know what it was at the time myself family and friends played on and around it for years through the 60’s and early 70’s it was about 200 yards behind Padgets garage at the top of the Deneside the site was accessed through the so called farm cut on the avenue opposite the top of Ryton cut about…..about 20 yards in front of the mirror was a large 10 ft deep hole lined with thick concrete about 20 yards by 30 yards must have been an operations room for the mirror the field was called the bully because us kids thought the hole was a bull ring the exact location is where the top of Weymouth drive is now every year the hole was used as the biggest hay jump in Seaham …….hope this helps to jog some memories ……..

Tony Snaith

Forgotten technologies: Giant ears of concrete

Vergessene Technologien – Riesenohren aus Beton” (Forgotten technologies – Giant ears of concrete) is a 23 May 2011 German-language article by Solveig Grothe on the website of Spiegel. It has a history of sound mirror development between the wars, and features some photos of sound mirrors from the Sound Mirrors Flickr group (used with the permission of the photographers).

With reinforced concrete shells the size of a house, the British listened in the 20s and 30s for enemy aircraft. The acoustic experiments along the coast gave the island extraordinary architectural monuments – and an interception technique to which was used to the outbreak of World War II.

Und jetzt, die artikel auf Englisch: Listening for the Enemy, Giant Ears on the British Coast

2011 guided walks to the Denge sound mirrors

Planned dates for public access to the Denge sound mirrors in 2011 have been announced on the Notice Board section of the Romney Marsh Countryside Project website.

There is one open day this year, and two guided walks. These events don’t need to be booked and are free, but rely on donations to cover the costs with at least £2 per person suggested.

  • Open day 10:00-17:00 Sunday 24 July 2011
  • Guided walk 14:00 Sunday 21 August 2011
  • Guided walk 14:00 Sunday 11 September 2011

More information at the RMCP website. Anyone planning to attend these events should obviously confirm details with the RMCP before travelling.

Remember, the RMCP events are the only way to visit the Denge mirrors. The walks are very popular, and well worth doing.

Colne Valley listeners

A sound mirror installation neat Slaithwaite in Yorkshire. Some pictures of it.

Commissioned by the River Colne Sculpture Trail and Huddersfield Contemporary Music Festival

A Sound Installation by Matthew Sansom

About

Colne Valley Listeners employs active listening, both as metaphor and as practice, to explore and enhance the relationship between the valley’s beauty and significance with people past, present and future. The project combines a sculptural installation of two acoustic mirrors at the Rotcher Picnic Site and a guided soundwalk with accompanying audio.

The River Colne Acoustic Mirrors are parabolic dishes fashioned in aluminium: one dish eavesdrops on the approach from the picnic site and the other listens out towards the trees and across the valley. Close-up, these devices focus and subtly amplify the soundscape at a focal point a short distance from the centre of the dish. Interaction with the acoustic mirrors helps direct awareness towards the surrounding soundscape, leaving a subtle perceptual imprint on the listener.

The River Colne Soundwalk explores the location of the sculptural installation. It combines material from local children’s sonic explorations of the area, sound archive material and location recordings made along the walk.