The open days are generally the only way for the public to access the Denge listening ears close up, although there have also been some photography days, so it might be worth keeping an eye out, if you are seriously interested.
(Please note that andrewgrantham.co.uk has no connection to the open day, the RSPB or anything else! Please check the details with the RSPB before visiting)
Kent, UK. Between the World Wars, before the invention of radar, parabolic sound mirrors were used experimentally as early-warning devices by military air defence forces to detect incoming enemy aircraft by listening for the sound of their engines. #drone#djipic.twitter.com/ncSkWVMcww
The mirrors’ fruitlessness may be forgiven if only because of the uncanny impression one gets that they were built for a future not yet seen or understood. Indeed, its second life as a monument and relic has been more enduring than its first.
Saturday 23 July
Drop in any time between 10am and 3pm
Price: Free. Donations are welcome.
On this day only, RSPB Dungeness will open up the reserve for free! Come and see what this fantastic place has to offer and get up close to our recently acquired, historical Sound Mirrors (or Listening Ears)! Come along for the day where we open them up for everybody to have a wander around the site and talk to our staff and volunteers about what we are doing to give nature a home here. So why not spend the day surrounded in nature and history and afterwards head to the visitor centre for a cup of tea or an ice cream to round the day off nicely.
Please note that I have absolutely no connection with the RSPB or the open days. Make you sure that you confirm the details of the open day with the RSPB before going – do not rely on this Sound Mirrors website.
Huw Morgan is a composer, organist and conductor is “drawn to the power of ancient, haunted landscapes and their lost inhabitants; fascinated by impermanence, space, and time.” This is the first perfomance of his new piece Sound Mirrors for organ and fixed media electronics, inspired by the Denge listening ears: “alien structures haunting the coastal landscape, still listening to the skies…”.
It was given by the composer as part of an Automatronic concert in the JAM-on-the-Marsh 2015 festival. Field recordings were made at St-Mary-on-the-Marsh and elsewhere on Romney Marsh.